It’s maybe too obvious; it’s maybe too difficult; the result is a clumsy silence. The portrait of the old manhttp://www.wellmixedrecords.com which was the most damaged of the 5 within the theft and sustained deep scratcheshttp://www.wellmixedrecords.com has over time been attributed to Jan Lievens and to Ferdinand Bolhttp://www.wellmixedrecords.com a pupil of Rembrandt. But Timo Trümperhttp://www.wellmixedrecords.com the curator of the exhibitionhttp://www.wellmixedrecords.com says analysis of the painting style has ruled out both artist as the author of the work. The attribution to Bol stems from the artist’s signature on the againhttp://www.wellmixedrecords.com but Trümper says that will indicate that he owned the portraithttp://www.wellmixedrecords.com not that he painted it. He says Bol might have obtained the work after Rembrandt’s chapter in 1656. The Art Newspaper have published an article on a just lately recovered portray from Schloss Friedenstein in Germany.
The generation of the melody and the harmony were based mostly on guidelines describing how notes or chords may be put collectively. The most fascinating AI part of this technique are the applicability ruleshttp://www.wellmixedrecords.com determining the applicability of the melody and chords technology ruleshttp://www.wellmixedrecords.com and the weighting rules indicating the probability of software of an relevant rule by means of a weight.